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In television, film, and theatre, typecasting is the process by which a particular actor becomes strongly identified with a specific character; one or more particular roles; or, characters having the same traits or coming from the same social or ethnic groups. There have been instances in which an actor has been so strongly identified with a role as to make it difficult for him or her to find work playing other characters.Alternatively, a director may choose to cast an actor "against type" (i.e., in a role that would be unusual for that actor, to create a dramatic or comedic effect).Typecasting also occurs in other performing arts. An opera singer who has a great deal of success in one role, such as Denyce Graves as Carmen, may become typecast in that role.Actors are selected for their roles either by a casting director, typically found in small productions, or, in larger productions such as motion pictures, through casting agencies. Extras and stand-ins are often drawn from the company Central Casting, a company so influential since its 1925 start, that some people refer to all cast as coming from "central casting". The concept of "central" casting was also widespread during the studio-dominated era (from the 1920s through the 1940s) when each studio had a larger number of actors on contract who were assigned to whatever films were being made at the time by that studio. Such centralized casting was made more efficient by placing an actor in subsequent similar character roles after his or her first success, especially if an actor was particularly well received in that role by the audience or by critics.Typecasting happens to actors of both great and modest ability: an actor may become typecast either because of a strong identification with a particular role or because he or she lacks the versatility or talent to move on to other roles.[citation needed] Some actors welcome the steady work that typecasting brings[by whom?], but in general it is seen as undesirable for actors in leading roles.[by whom?]An actor is sometimes so strongly identified with a role as to make it difficult for him or her to find work playing other characters. It is especially common among leading actors in popular TV series and films.An often-cited example is the cast of the original Star Trek. During Star Trek 's original run from 1966 to 1969, William Shatner was the highest paid cast member at $5,000 per episode ($36,000 today), with Leonard Nimoy and the other actors paid much less.[1]:166–167,297 The press predicted that Nimoy would be a star after the show ended,[2] however, and James Doohan expected that appearing on an NBC series would help his post-Star Trek career.[3] The show so typecast the actors, however—as early as March 1970, Nichelle Nichols complained of Star Trek having "defined [her] so narrowly as an actress"[4]—that only Shatner and Nimoy continued working steadily during the 1970s, and even their work received little attention unless it was Star Trek-related. The others' income came mostly from personal appearances at Star Trek conventions attended by Trekkies; by 1978 DeForest Kelley, for example, earned up to $50,000 ($181,000 today) annually.[5] Their residuals from the show ended in 1971[6] but in 1979, the first of six films starring the cast appeared; Kelley earned $1 million for the final film, Star Trek VI (1991).[1]:297 Being identified so closely with one role[7] left the show's cast with mixed emotions; Shatner called it "awesome and irksome", and Walter Koenig called it "bittersweet" but admitted that there was "a certain immortality in being associated with Star Trek".[5]

Hot Scenes In Malayalam Malayalam Hot Scene Photos Serial Actress Shooting spot Latest Youtube New Hd Photos Images Wallpapers